So progress has been slow, I can't quite see
what's wrong exactly but I've been faffing around with it a lot, circling
around the problems and chipping away at them.
I can't remember if I mentioned this when I was
working on 'a light in the dark' but I found out a really useful technique for
masking fluid. I used it in the above photo. First of all I stripped the paint
off (at the bottom of the trees and the edges of the foreground leaves) as much
as I could by scrubbing at it with a brush and water, then dabbing it off with
toilet paper. Once I got as much of the paint off that way as I could I let it
dry and then put masking fluid down over those arias. I don't rub the masking fluid
in but I'm not being extremely careful with the masking fluid either. When I
peel it off it's taken off a bit more of the paint underneath as well.... However,
you have to be so so careful not to peel some of the paper off as well. If you
rub the masking fluid in at all then you're going to find it really really
hard.
I also started to add in some grass in the
foreground, that was fun and satisfyingly easy, just had to make sure the brush
strokes didn't get too thick and slowly build them up.
I'd say I've more or less finished it now, but
I didn't get a good photo of it. Tomorrow when it's sunny I'll replace the
photo here and upload it to DeviantArt and Facebook.
The last bits of work were going over the white
grass in front of the trees with some green and then working on adding even
more grass in front of the trees...mostly because the trees were still too detached
from the ground, adding more grass in front helped root them in.
Then adding a bit of pink to the foreground
trees, just to blend them in to everything a bit more, but then I had to add
more bark texture onto those pink arias.
The last bit, and the bit I'm still not completely
sure if I'm finished, is adding more pinks and purples to the foreground trees
and working on adding some sort of transition between the foreground leaves and
the grass behind them. It's sort of working but to be honest I'm not sure how
much more I could do with watercolour to fix it, adding too much will just add
a dark ring around them.
So this is the original rainbow forest. There's
things I did better, and things I did worse comparing them.
Composition wise the new one is far better, it's also a lot more like a finished piece of art where the old one was more of a test/messing around with watercolour.
Composition wise the new one is far better, it's also a lot more like a finished piece of art where the old one was more of a test/messing around with watercolour.
The bads however.... I really liked how I did
the leaves the first time around. having the light going through them was
really nice and I didn't really manage to replicate that, mostly because the
angle's different so you can see leaves in the background as well which then
make the foreground ones lack that light behind them....I donno, there might
have been a way to do it but I didn't manage to keep it.
The other place I messed up in....something I
should have known from the start: Was using too many from the tube
colours.
Ideally I should have just had a red, yellow
and blue, then mixed the other colours I needed from those three. Now I find it
a nightmare to make purples so best for me would probably be to add a pink to
those three so I can make an easy purple with the pink and the blue.... However,
I had added a purple, a orange and a green to that mix, turning my ideal four
tubes of paint to a seven.
So why does it matter...Hmm, say you had a sky
blue and an orange-ish red. If you mix the two you won't get a purple, it will
be closer to a brown because there's yellow in the red. But what you will get
is a clear transition between the blue to the red, that brown colour will look
all right next to either the blue or the red because it contains those
colours.
What I did instead though was having my blue,
having my red and then just picking a purple that I had no idea what other
colours were mixed in the tube to make. So that purple didn't sit well with the
blue or the red exactly. What I should have done was pick a neither warm or
cold blue (so I can still get it to make warm greens) and then picked a cold
red or a pink to get my purples.
To be honest the purples aren't the best
example, since I'd want both a red and a pink anyway, but they are the
clearest. It's easy to see when you mix a red and a blue and it fails to make
purple...I don't know if I could describe it as easily by saying a blue and a
yellow made the wrong green.
In my new painting however I'd say the biggest
problem is that the blue doesn't tie in that well. I didn't go from the blue to
the pink or yellow to make my purples and greens, so it stands out and doesn't
make a nice transition with those colours.
Ah well, the lesson I already knew has been
hammered into my skull with this painting, let’s hope I don't forget it again.
I just hope the person I'm painting this for likes it...
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