I wanted a dark forest, I didn't want to have to hand paint every
tree.
I've not played around with cling film much but I figured this would be a
good chance to use it, to get some random patterns in the background that could
represent the smaller forest branches. I am however pretty controlling of my
art, something that watercolour doesn't like, I want to know exactly what
outcome I'll get from a technique so below are my cling film tests, hopefully
you can read my hand writing:
The basics of them are the same, put watercolour down and whilst it's still
wet put cling film on top, wait for it to dry.
The main things I've learned from this are:
If the paint's too thick it will dry shiny (haven't found an answer to
this.)
If I move it about on the paper too much it drags the watercolour around
leaving arias bare or too strong which tends to go into the cracks in the
pattern, filling them up.
And if I want dark shapes without the arias between them being tainted by the colour too much then I need to make sure the bubbles
in the cling film stick out from the paper quite a bit. It doesn't matter
how big the bubbles are horizontally (though that will give smaller shapes) but
that they stick out vertically.....Not sure if it's caused by vacuum or just
having sharper edges.
Masking fluid has always been a bit problematic for me, ripping up
everything underneath, and since I planned to use it a lot in this painting I
figured I should do some research (everything above the test on the left.) I
also did some tests of my own, first just seeing the different effects I could get
(left) and then trying to put it down and lift it back up without taking off
the watercolour underneath (right.)
So, things I learned:
Using a pen nib (like those on dipping pens or quills) gives nice thin even
lines though you do have to peel the dried masking fluid off now and then.
Adding the masking fluid into wet watercolour gives some pretty cool
results, though it's harder to remove.
And to avoid the masking fluid taking off the colour underneath use a brush
and be as delicate as you can, try not to even touch the paper with the brush,
only the masking fluid on it, or drag around a puddle of masking fluid. also
use and old brush and coat it in soap before adding the masking fluid to help
get the stuff off again.
I worked on the tree ideas at the same time as the other tests, mostly
realising I needed to do the others when the trees went wrong. Most of these
are just playing about with different colours and working out if I wanted the
trees darker or lighter than the background.
I'm going to go with the colours of the bottom one but when I added more
colour to the trees it was too watery and ran off to the edges, I want something
more similar to the one on the left above.
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